圣诞(🚤)节,米格兰(
圣诞(🚤)节,米格兰(lán )一(🥄)家发现(🐐)全家(📘)已(yǐ )被(bèi )神秘(🏔)的金属物(wù )质(zhì )包(🏏)围,但究(🦇)竟(jìng )是什么,工(🍼)业事故(🚍)(gù )?(🛵)恐怖袭击?核(👆)(hé )战(zhà(🚷)n )争?在电视机(jī )上(📆)(shàng )出现了“进一(🐏)(yī )步的(👓)指示(🦕)”,他(tā )们按照电(🏪)视机的(📯)指(zhǐ )示(shì ),展开了血(🛳)腥(xīng )的(de )屠杀…
藝術家(🧝)(jiā )自(🥨)古皆寂寞或許(➿)(xǔ )是境(🥦)界,人到中年(nián )萬事(❕)憂則是現實(shí )。在畫(🎆)室洋洋(🙇)灑(sǎ )灑(sǎ )呈現(🎷)自由雄(📲)風(fē(🐅)ng )的裸男畫作令(🐧)他一(yī )舉成名,在家(🆙)面(miàn )對(🤾)(duì )前妻懷着新(😏)歡(huān )骨(😦)(gǔ )肉(🖕)、與女兒相(xià(👀)ng )處尷尬(🐋)卻令他一籌(chóu )莫展(💳)。貝蒙特的(de )寂(jì(🏰) )寞,在於(❌)如何(🤺)(hé )在(zài )著名畫(🐦)家與單(💐)(dān )親爸爸雙重身份(😜)(fèn )、藝術創作與家庭(🏞)(tíng )生(🤨)(shēng )活之間取得(📈)平(píng )衡(🤨)(héng )。維羅(《電(diàn )影就(🙂)在街角》,35 屆)找來合(🌤)作(🍂)多年(🌒)(nián )的編劇兼美(😓)指好(hǎ(⬜)o )友(yǒ(🤵)u )對號入座,還(há(🎙)i )原(yuán )藝術家有血有(🔌)(yǒu )肉的(💒)矛盾本性,在(zà(📎)i )出世與(🌛)入世(🏇)的兩(liǎng )難(nán )外(💆),毋忘點(🐝)點(diǎn )超(chāo )現實的幽(🎴)默。
一个慢性梦(👇)游者从(🐅)(cóng )一(🎹)本神秘的书中(🚢)(zhōng )读(dú(💾) )到,这本书预(yù )示(shì(🍡) )着即将到来的(de )恶魔占(🗒)有。然(🙊)后(hòu )他努力将(🍰)他的家(🧖)人(rén )团(tuán )结在一起(💎),因(yīn )为(wéi )古老的邪(🎨)恶(✊)威(wē(🕌)i )胁要消耗他所(💇)珍(zhēn )视(🧞)的一切。
SAM哥飾型(xíng )格(👈)幹探重案組梁(liáng )SIR 調(😉)(diào )查案(💵)件,可能(néng )是(shì(🧤) )一隻變(🏡)種兇(🦐)獸(shòu )攻擊人類(🎗),他要消(xiāo )滅兇獸,拯救世(shì(🥌) )界(jiè )
清末民初(🥌)军阀(fá(🔺) )四(sì(🐅) )起战火绵绵,老(🥂)百姓深(🔑)陷水深火(huǒ )热之中(📨),很多人(rén )妻(qī )离子散(🐘),家破(🈯)(pò )人(rén )亡。然而(⛩)有一(yī(🚙) )座偏远的小山镇(zhè(🍩)n ),却独享着这一片(pià(🧐)n )安(🚀)(ān )宁(🚃)。但好景不(bú )长(🐻)(zhǎng ),镇上(🐿)突然发(fā )生了一些(👋)离奇命(mìng )案,死去的(💔)都是村(〰)(cūn )里的青年壮(🦖)汉,闹(nà(🌎)o )的人(🐔)心惶惶。一(yī )向(👒)夜不闭户的(de )他们天还没黑(🌉)就关(guān )门上锁(😘),不再外(🎹)(wài )出(🚗)(chū )。但这并非长(🌩)(zhǎng )久(jiǔ(😳) )之计,镇长为(wéi )此召(❣)集百姓,筹集钱财招揽(🏡)能人(🔩)异(yì )士(shì ),希望(🤜)能找出(🤸)(chū )根(gēn )源,除去祸患(🥡)(huàn )。
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
나만 사랑하겠다(🏙)던 그(🐑)놈이 떠났다. 평(😷)생 한 명(💍)의 남자만 만나온 "오(🗞)선영"의 첫 실연 극복(🚯)기
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